Sugababe’s Glastonbury stage was misguided at best, irresponsible at worst review

Sugababes

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The performance by the Sugababes at Glastonbury was unexpectedly popular, with many people feeling like they couldn't miss it. But, it quickly turned chaotic. Signs around the West Holts stage warned people to avoid the area because it was too crowded. There were rumors of people passing out in the audience.

Sugababes - Figure 1
Photo The Independent

This was a situation that was unnecessary and could have been easily avoided. Although Sugababes may not be topping the charts or seen as the most creative act at the moment, they hold a special place in the hearts of many festival-goers for reasons like nostalgia, hit songs, and their well-known brand. Putting them on the West Holts stage seems like a wrong decision at best and a reckless one at worst.

During their performance, the band looks like they are really enjoying themselves. It's heartwarming to see all three members of the group smiling. Back in the early 2000s, when they were most popular, they were known for being the grumpiest girl band in pop music. The three teenagers seemed so worldly and tired that it was almost more entertaining to guess which one would win in a fight. (It was definitely Mutya.)

Almost 25 years after their first album "Overload," with its grungy, surf guitar sound, and after going through about 30 different member changes (well, more like four), they took the West Holts stage with a sense of happiness and relief. These women have been through all the ups and downs of the music industry for over two decades, and they have emerged with a radiant glow.

In this performance, there is a lot of coordinated walking and individual spotlight moments for each Sugababe member (Mutya Buena, Keisha Buchanan, and Siobhan Donaghy). Each member takes a turn at the front of the stage while the others move to the rear.

"Freak Like Me", the iconic mix of Adina Howard's song from 1995 and Gary Numan's "Are Friends Electric?", kicks things off with a perfect blend of sexy and edgy. The catchy late-era track "Red Dress" is a standout, with the trio's vocals blending smoothly with the electric guitar. "Overload" and the playful "Push the Button" have become beloved classics over time, getting the crowd excited and energized. The drums and powerful bass guitar give "Round Round" a rock edge, turning it into a head-banging hit.

It's interesting to note that most of the songs that received loud applause during the show were not originally performed by Donaghy. Even Buena had already left the group before they released one of their biggest hits, the upbeat "About You Now", which closes out the performance.

However, this does not indicate that the Sugababes brand is more prominent than its individual members. Heidi Range, Amelle Berrabah, and Jade Ewen, who are currently enjoying their time in the Potentially Acrimonious Resting Home for Ex-Sugababes, all had their roles in the group. However, there is definitely something impactful about seeing Buchanan and Buena, two of the most stylish pop stars this country has ever seen, singing together once again, regardless of their specific contributions to the music.

It's great to see Donaghy finally fulfilling her potential that was held back during the first album due to band disagreements and teenage emotions. The audience at the show seemed to recognize how special it was. It's unfortunate that the crowd had to endure difficulties to experience it.

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